Hanna Kawan’s exhibition at La Trenza Gallery was titled Mimética and ran from 13 February to 20 March 2026.

From the title and the way Hanna speaks about her work, the exhibition felt deeply connected to her relationship with nature — not as something decorative or distant, but as something alive that we can learn from if we slow down enough to observe. Her practice moves between painting and ceramics, and there is a softness and attentiveness in the way she works with form, texture, and colour.

The word mimética itself suggests mimicry, blending, and becoming part of one’s surroundings — which fits beautifully with her interest in the natural world and quiet observation. The exhibition felt less about representing nature literally, and more about entering into dialogue with it.